Dave Clarke was born and raised in Brighton (United Kingdom) but currently resides in Amsterdam (The Netherlands), where Clarke found his comfort zone and revitalized him after moving from rural sedate Conservative Sussex. Being the offspring of a technology loving father and a disco-soul loving mother, it was evident that Clarke would “do something” in music eventually. Not knowing what the “do” part was but blessed with a high doses of determination, Clarke evolved from being a runaway boy sleeping in car parks and on beaches, via lousy jobs in shoe shops living off 5 pounds a day and via underpaid Brighton gigs into a world class artist, maintaining a flourishing career spanning well over two decades.
Carefully starting off a career as a producer, Dave Clarke saw his debut release in 1990 on the legendary XL Recordings under his Hardcore guise which gained him moderate success. As a result, Clarke was approached by Belgian techno label R&S and released various EP’s under the aliases Hardcore and Directional Force in 1991. A year later, Clarke shaped the contours of his own label Magnetic North on which he unveiled the classic Alkaline 3dh (as Fly By Wire), amongst many releases.
Clarke’s career took a 180 when his Red trilogy was unleashed on Bush Records in 1994; undisputed landmarks in the techno genre and for Clarke personally, a life changing event. It comes as no surprise that DJ Mag incorporated one of the Red’s in its All Time Techno Top 100 list. The Red instalment catapulted Clarke’s status; the Briton suddenly found himself in his studio remixing for the likes of Kevin Saunderson’s Inner City, The Chemical Brothers, New Order, Depeche Mode, Moby, Leftfield and Underworld, to name but a few.
The debut album Archive One followed, flecked with hints of breakbeat and electronica, a novelty in the puritanical techno scene of the time. His mix CD’s included the two best-selling World Service outings (one of which made it into the top ten of best mix compilations of the 00′s in Resident Advisor) which showcased his dual love for electro and techno, one of them sold close to 100k copies no less. He briefly signed to Skint Records resulting in 2004’s Devil’s Advocate album, jammed with dark techno energy but laced with hip hop beats. When his production pace ebbed, Music Man Records gathered together Remixes & Rarities in 2007, making Album Of The Month in Mixmag and receiving critical plaudits all over.
Clarke’s vast determination to stubbornly follow his own path in the music industry, along with his outspoken opinion on many a subject, was not hailed by his peers with enthusiasm on many occasions. Criticized for being a futurist in the early zeros – he was the first techno artist to release an internet only single in 2000 (before i was so rudely interrupted) – his main motive was, and still is, to deliver music to the ears of his global audience oblivious to pigeonholes, politics, prejudice or other people’s opinions. As Clarke explains: “This is techno, it’s supposed to be forward-looking”.
As a DJ, he plays out every weekend everywhere. At every event there’s the same attention to detail, his sets swooping whip-smart along the cutting blade of techno and electro, backed up by a seasoned bag of DJ tricks in which his early hip hop roots clearly show. Aptly nicknamed The Man In Black, Clarke blends into the background upon arrival and lets his music do the talking. That’s where he comes alive, where skills honed for years blow venues apart. It might seem from appearance that Clarke is not enjoying what he does but don’t let the grumpy image fool you. He loves every minute of it and feels humbled and blessed he’s able to do what he does. Whether on prolific festivals like a.o. Tomorrowland, Awakenings, I Love Techno, Lowlands, Pukkelpop, Glastonbury and Nature One, in acclaimed venues such as Fabric, Fuse or Berghain or in dark, sweaty, small capacity clubs: Clarke feeds and nurtures his extraordinary relationship with the crowd.
After things eventually went quiet on the production front, Clarke felt that today’s technology finally allowed him to use studio gear to the maximum, next to the urge to reinvent himself rather than repeat himself. In late 2011, Clarke picked up where he had left off. He came across the young Amsterdam based talent Mr. Jones who consequently fed Clarke with his demos. Clarke noticed his potential and soon formed a duo named Unsubscribe.
Dave Clarke Mix Archive
The twosome got to work and delivered remixes for artists such as Black Asteroid, Detroit Grand Pubahs, Gesaffelstein, Phil Kieran, Erol Alkan, Boys Noize, Octave One, Simplicity Is Beauty, Marc Romboy and Ken Ishii. Early 2013 saw the return of Dave Clarke as a solo producer by revamping These Days Are Mine by Manchester band I Am Kloot, electro style. The re-release of Wisdom To The Wise (Red 2) on Boysnoize Records in March 2013 (with ground breaking remixes by Boys Noize, Marcel Dettman, Steve Rachmad and A.Mochi) and Unsubscribe’s debut EP on Fabric’s imprint Houndstooth in April 2013 showcases that Clarke finds himself back on the international music map.
As the flag bearer of his successful event concept Dave Clarke Presents, Clarke and his handpicked line up reign the booth in the Amsterdam venue Melkweg during the Amsterdam Dance Event (ADE) for eight consecutive, sold out editions, duly representing techno and its subgenres during the annual conference. Dave Clarke Presents cranked it up a notch in 2012 as ID&T finally, after many attempts, managed to seal the deal with Clarke to host the second biggest (outdoor) stage on Tomorrowland 2012. With a rammed floor on that memorable Sunday the 29th of June, it became evident that Clarke and ID&T again will collaborate on Tomorrowland 2013 by hosting this area for the second year in a row.
And then there’s White Noise, Clarke’s weekly radio show. For many years, White Noise has been and still is an absolute institution for techno and electro globally and an indicator of where the scene is headed. The thrust of the show is to cast light on new talented producers and exciting new music; music by both established as well as aspiring producers Clarke discovers in his Dropbox each and every day that won’t have normally be given a chance. Since the split up with Dutch radio broadcaster VPRO (3FM), Clarke moved White Noise to the Irish radio station 2FM RTE and French online and airwave station Radio FG. In February 2013, White Noise was expanded to wider grounds when the show joined the award winning web radio Digitally Imported (DI.fm), with many more additional stations to follow in 2013.